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- L.D. Alford
- Author of The Second Mission
- www.lionelalford.com
- www.ldalford.com
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- Historical fiction novel with a SiFi driver
- Idea 1994, start 1996, finished 2000
- Published by Xulon in Aug 2003
- Follows Alan Fisher and Sophia
- Time: October 400 BC to October 399
BC
- Location: Athens Greece
- Available here from me and
Watermark Books
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- 1. Novel, characters, history, politics
- 2. Ancient Greece in time and place – 400 BC
- 3. Paganism and the musterium – 400 BC
- 4. Greek life – 400 BC
- 5. Socrates
- 6. The Socratic Dialogs
- 7. The Death of Socrates
- 8. Conclusion
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- As Sophia and Caliban walked, the changing sunlight visibly moved down
the trees but never touched the floor of the woodland. Caliban almost
swore he could perceive the nymphs and minor gods of the wood
represented by the trees, shrubs, and flowers. A man of Athinai would
know each for what it was, a being in the shape of the common woodlands—
each minor god real, and each treacherous, capricious by nature—but only
their beauty seduced Caliban.
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- Animism – gods in everything
- No understanding of natural law
- Reason for all dynamus (power) in world is animating dynamus of gods
that inhabit all living and moving things
- Gods must be placated to prevent harm
- Characteristic of an illiterate society
- Words are concrete and not forms of things
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- Sophia gathered some food from her chest and repacked the rest. Then,
she took some things from the bag that hung on the back of the door. She
handed Alan a flat, slightly leavened loaf of bread, a chunk of goat’s
cheese, and a handful of fresh olives. While they dipped the bread into
a shallow bowl filled with flavored olive oil, Sophia boiled water and
combined it with thick strong wine. The mixture made a light transparent
red liquid flavored with just a taste of grape. Without even thinking,
Sophia poured out a practiced libation to the gods.
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- Ohmia came back to the kitchen and commanded, “Caliban, bring the pot.”
She gathered bowls and Caliban followed her to the hearth room.
Socrates, Xanthippe, Sophia, and the boys sat, half-reclining, around
the large low table in the room. Caliban placed the pot on the table and
Ohmia served each of them. Socrates said a benison to the gods the
others echoed, and they began to eat. After a few moments, Xanthippe
pointed to the pot and Ohmia filled two bowls. She handed one bowl to
Caliban, then pushed him back toward the kitchen. They ate their
porridge by the hearth.
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- Caliban took wood from the kitchen storage and meticulously prepared the
hearth in the courtyard. When he entered with firebrands from the
kitchen hearth, the men moved out of his way and watched reverently as
he made the oblation and symbols to the gods.
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- Socrates murmured appreciatively, “Very good, Caliban. Your hands speak
as loudly as the words of the priests.” A couple of men dressed in the
robes of Athena turned to see if Socrates’ expression conveyed sarcasm,
but his features held nothing but open appreciation. They glanced at
Caliban’s work and smiled in pleasure. One said a benison over the fire
and the men in the room replied with a solemn affirmation.
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- Pantheism
- Grows with and following literacy
- Words may still be concrete, but they become forms
- Words for things that cannot be seen
- Gods turn from only things in nature to feelings, human industry, and
intellectual qualities
- Old
- Zeus – Sky
- Poseidon – Bodies of water
- New
- Athena – Wisdom
- Apollo – Music
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- Hestia – Hearth, home, family, meals, sacrifice
- Zeus – Sky
- Poseidon – Water
- Hera – Sky, women, marriage
- Ares – War, men
- Artemis – Hunting, wild animals, children
- Demeter – Agriculture
- Apollon – Music , sun
- Athene – Wisdom, industry
- Aphrodite – Beauty, pleasure
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- Hermes – Domesticated animals, trade
- Hephaistos – Fire, metal working
- Dionysos – Wine
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- Pantheism
- Recognition that gods do not reside in all things
- No inkling of natural laws
- Nature contained by a pantheon
- Nature and forces of nature under pathos and chronos
- Nature and forces of nature under power of pantheon
- Industry and actions of civilization incorporated
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- Musterion
- Literally – “the silence during the initiation ceremony”
- Mistranslated in all NT documents as mystery or secret
- Found in: Matt, Mark, Luke, Romans, 1 Cor, Ephe, Col, 2 Thess, 1 Tim,
Revelation – 27 times total
- Exploration, trade, intellectual investigation
- Recognition of natural laws – scientific method
- Recognition of importance of human events in history – legal-historical
method
- Invention of mathematics – Logic
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- Intellectual movement from worship of gods to worship of natural laws
- Budding monotheism
- Named after founder or main god
- Eleusinian – Demeter (named after place)
- Mithric – Mithras (Birth December 25)
- Osiran – Osiris
- Pythagorean – Pythagoras
- Epicurean – Epicurus
- Platonic – Plato
- Sophoclean – Sophocles
- Christian - Christ
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- Focus is a real mystery
- Osiran – pi (π) – radius of a unit circle
- Pythagorean – Pythagorean theorem
- Mithrian - ? (ritual revelation) (Marcus Aurelius writes about it)
- Eleusinian - things in a box (kiste) possibly: golden serpent, egg,
phallus, seeds
- Natural reactions – vinegar and soda
- Christian – mystery of faith
- Christ has died, Christ has risen, Christ will come again
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- Beginnings circa 1600 BCE
- Exploded circa 400 BCE
- State took control 300 BCE
- Hellenization: Musterion spread significantly under Alexander and later
the Romans
- Musterion was force of religion that allowed Christianity to gain such a
powerful foothold in the ancient world
- Christianity is not itself a Musterion, but shares many characteristics
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- Judaism unpopular—promised rewards only to Jews (conversion required)
- Mystery religions were popular because they offered salvation from sin
and the promise of eternal life to everyone regardless of their
nationality.
- Similar to Christianity
- Influenced uniformly by the ideas of the Greek philosophers
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- Common to all mystery religions:
- Admission to the community was by a rite of initiation
- Solemn consecration held in secret
- Preceded by rites of purification
- Fasting
- Baptism
- Confession
- Delivery of the sacred symbol or signal
- Vision of the deity (revelation of the mystery)
- Vesting of the robe of the deity
- Adoption of a new name
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- Common to all mystery religions:
- Personal relationship with deity attained through a sacred meal.
- Ate "holy food," by eating deity thereby became a deity
- Gnosticism
- Ideas emerged from a combination of mystery religion and Christianity
- Knowledge leads to salvation
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- Pantheon focused
- Becoming Musterion
- Influenced generally by concepts of philosophy – 400 BC
- Festivals and public ritual
- Endued life
- Imbedded completely in community
- Sacrifice of all meats
- Fire
- Participation in festivals
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- 60 days a year set aside for festivals
- Anthesteria - festival of Dionysus and new wine
- Apaturia - festival of the phratry brotherhood
- Dionysia - dramatic festival of Dionysus
- Eleusinia - festival of games held at Eleusis
- Panathenaea – festival of Athena
- Pyanepsia - a bean feast
- Thargelia - festival of Apollo and the new harvest
- Thesmophoria - festival of Demeter celebrated by women
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- Comparing the festivals to Musterion, we find a correlation
- This isn’t accidental
- Comparing festivals to Christian feasts—correlate
- Most festivals included
- Processionals
- Sacrifices
- Eating and drinking
- Let’s look at a couple of the more important festivals
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- Held in honor of Dionysus
- Celebrated in most Ionian communities
- Annually 3 days (11th-13th) during Anthesterion (February-March)
- Name is a Festival of Flowers (anthos), focused
- Opening the new wine
- Placating the spirits of the dead.
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- 1st day
- Called Pithoigia (Jar-opening)
- Casks of the previous vintage taken to the sanctuary of Dionysus in the
Marshes
- Libations were offered to the god of wine and sampled by all the
household
- Rooms and drinking vessels were adorned with spring flowers, as were
also the children over three years of age
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- 2nd day
- Named Choes (Pitchers)
- People dressed themselves gaily, some in the disguise of the mythical
personages in the suite of Dionysus, and paid a round of visits to
their acquaintances
- Primary activity was a drinking competition, in which participants sat
at separate tables and competed in silence at draining a chous (a
five-liter container) of wine
- Slaves had a share as well. Miniature choes were given to children as
toys, and "first Choes" was a rite of passage.
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- 3rd day
- Called Chytroi (Pots) from the pots of seed and vegetable bran (panspermia)
that were offered to the dead
- People also chewed leaves of whitethorn and smeared their doors with
tar to protect themselves from evil. A common proverb was, "Away
with you, Keres (evil spirits), it is no longer Anthesteria."
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- State conducted a secret ceremony in which the basilissa (or basilinna),
wife of the basileus (king), participated in a ceremonial marriage to
Dionysus
- Assisted by 14 Athenian matrons, called geraerae, chosen by the basileus
and sworn to secrecy
- Ritual conducted in a sanctuary of Dionysus in the Lenaeum, which was
open only on this day
- Musterion components
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- The spring festival was a seminal event in the life of Athinai. This was
a key period Sophia wanted to record. So far she had kept her time in
Athinai hidden in women’s events and Socrates’ household, but the
festival would expose them both to a greater degree than before.
- They participated in the temple rituals and in the main celebrations of
the festival. The festival was punctuated with religious processions,
banquets, and a play. Sophia and Caliban attended all these with
Socrates’ family.
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- The high point was the play. Aristophanes’ The Frogs was chosen to be
presented at the festival that year. Sophia, Caliban, and every member
of Socrates’ household walked together to the Theater of Dionysus that
lay under the northern shadow of the Acropolis. The narrow streets led
between the Temple of Asclepius and behind the back of the Stoa of
Eumenes. There the battle of Marathon was portrayed in livid colors that
vied with the diseased and malformed beggars who sat before the temple.
They came to the temple as much for a miracle cure from the deity Asclepius
as to beg obeliskoi from the patrons of the festival and the theater.
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- At the entrance to the theater, each person paid an obol, and inside the
patrons arranged themselves according to their position and class. The
wealthy and distinguished sat in the seats closest to the stage, the
tradesmen and craftsmen in the center, the freeman peasants behind them,
and the slaves stood at the back and periphery.
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- Ohmia and Caliban stood a little away from the other slaves at the back
of the Theater of Dionysus. They had to strain to hear the words of the
play. Caliban didn’t fully understand the comedy, but from what he heard
and gleaned from Ohmia’s commentary, it was a satirical farce that made
fun of Euripides and the play he presented at the festival a year
before. She said the priests chose Euripides’ play over Aristophanes’
and that unintentional snub resulted in this critical portrayal of the
poet and his tragedies.
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- Great Dionysia or City Dionysia
- Origin of dramatic tragedy and comedy
- Founded or revived, by the tyrant Pisistratus (c. 530 BCE)
- Held in Athens at the end of March, when the city was once again full
of visitors after the winter
- Honored Dionysus Eleuthereus
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- 1st event a procession bearing an image of Dionysus to the
theater (on the south slope of the Acropolis) to commemorate his
original arrival in Athens
- Followed on the 10th of Elaphebolion by another procession, which
followed an unknown route to the sacred area next to the theater
- Participants in the procession carried phallic symbols, loaves, bowls,
and other sacred objects
- Resident foreigners dressed in red
- At the end of the procession, animals sacrificed and bloodless
offerings made
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- Theatrical contents 11th to the 14th of Elaphebolion
- At some point before the performance of the tragedies, sons of citizens
killed in battle paraded around the theater, as was the tribute brought
by Athens' allies
- Priests of the city chose from 3 tragedies on a single theme plus one
satyr play (a burlesque comedy serving as comic relief) to present
- Judges, who were chosen by lot, would then award a prize to the best
poet.
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- Comedy competition introduced in 486 BCE, and followed the tragic
contest
- 5 comic poets competed, each with a single play, one was chosen for
presentation
- Each of the 10 demis also provided one dithyrambic chorus for the men's
contest and one for the boys' contest
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- Festival that included
- Athletics
- Music performances
- Dramatic performances
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- Ohmia took Caliban by the hand and led him to the court where the street
led out in front of the Temple of Asclepius. While they waited, she
pointed to the simple temple. A dozen misshapen beggars still sat
outside its front wall and implored the crowd for coins.
- “I have prayed away my few obeliskoi there,” Ohmia shook her head. “I
brought a plaster model to the great god—last time. It cost me a great
deal. And it did no good. My face is as misshapen as it has been since I
was a child. There isn’t even a lightening in the color.”
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- She sighed, “Perhaps I should try another god.” Then she covered her
face with her hand, “I shouldn’t speak of such things, here of all
places. This is why I will never look like others. I have no faith.”
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- There is no other god for Ohmia
- Asclepius is a late god
- Post pantheon
- Based on a doctor (hero) – Asclepius
- Prior to Asclepius, Greeks had no god of healing
- In the ancient world injury was treated, but not illness
- Pathos and Chronos
- Reason for movement toward musterion
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- The chief clerk stepped to the center of the raised area. He opened a
scroll and read, “‘It is so sworn on this day, in the name of the great
god of Athinai: Socrates is a public offender in that he does not
recognize the gods recognized by the state of Athinai, but introduces
new demoniacal beings. He has also offended by corrupting the youth of
Athinai.’ The charge is brought by Anytus, Meletus, Lycon, and Phormio.”
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- Evolution of Greek religion (all religions)
- Animism
- Pantheon
- Musterion
- Gnosticism
- Religion completely integrated into Greek culture and society
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